Category Archives: landscape architecture

Potsdam

A jaunt southwest of Berlin is Potsdam, rich in history and lush in green space.

Long before it became known for hosting the Allies’ conference at the end of WWII, Potsdam was a city of Prussian royalty. As such, it houses a beautiful arrangement of gardens and parks, reminiscent of the grandeur enjoyed by kings and emperors during the Prussian Baroque period. And that luxury is exemplified like nowhere else in Park Sanssouci, a triumph of architectural harmony populated by temples, palaces, botanical and formal gardens.

Ironically, sans souci means ‘without worries’ in French, when in fact Potsdam and its surroundings were known for Cold War intrigue and the notable exchanges of spies, particularly on the Glienicke Bridge, connecting the city to West Berlin across the Havel River. Staff members were in the midst of setting up for the annual light show, Schlössernacht (‘Palaces by Night’), the weekend I visited and were busy herding people off the grounds. (I got access, however – it’s amazing what a media pass can do.) With a terraced vineyard in its foreground, Schlöss Sanssouci is an impressive summer residence that King Frederick the Great had built for himself in 1744 where he could live sans souci, in the midst of a European continent engulfed in continuous wars.

Historically a centre of European immigration (predominantly from France, Russia, the Netherlands and Bohemia), Potsdam has an international character evident in its culture and architecture. While it was severely damaged in bombing raids during WWII, many buildings in its historic districts have since been refurbished with great detail and large areas of this remarkable state capital have been granted UNESCO World Heritage status.

At the western end of shop-lined Brandenburger Straße is the Brandenburger Tor, a gate resembling a Roman triumphal arch that curiously, has two different façades designed by two different architects. I hit up the produce market in Alter Markt and perused the one along Nauener Tor, one of three preserved gates in the city, and a splendid example of the influence of English Gothic Revival architecture.

Holländisches Viertel (Dutch Quarter) is an ensemble of some 150 red brick buildings concentrated within four city blocks, Europe’s largest collection of Dutch-style houses outside of the Netherlands. The ‘Soldier King’, King Frederick Wilhelm I, ordered them built (1734-1742) under the direction of architect Jan Bouman for Dutch artisans and craftsmen that he had invited to settle there. If not to see this unique brand of architecture – with its white trim, shuttered windows, and oftentimes-sweeping gable roofs – then head to Maison du Chocolat, the neighbourhood’s undisputed ‘go-to’ for hot chocolate.

How green is your garden?

Deborah Nagan’s installation at Canada Blooms, the country’s largest flower expo, challenges how we perceive our gardens and their impact on the environment.

The London-based landscape architect was invited by the Jardins de Métis/Redford Gardens, which presents her thought-provoking garden to the annual event’s 100,000 visitors.

Entitled “How green is the garden?”, it features five colourful sheds each displayed on its own parterre of materials, as minimal individual plots. This set-up is intended to make gardeners think of the environmental impact of their own garden. While we’re busy tending, primping and preening, our own sheds often contain pesticides, chemicals, broken tools, accumulated junk and unfinished projects. The exhibition provokes such questions as: Are gardens and our landscaping efforts as green as they seem? Is it time to stop exploiting our natural resources, or is it time to harvest and use them with more care?

The presentation is a variant of “Every Garden Needs a Shed and a Lawn!”, an ironic exploration of the idea of the traditional domestic garden that Nagan showed at the International Garden Festival in 2009. Her conceptual exhibit dissected the garden, revealing the very elements, such as pollination, seeds, and carbon, that can transform it from ordinary to perfect. The crowd favourite returns this summer to the festival, which was established by the Jardins de Métis/Redford Gardens in 2000 and continues to be North America’s leading contemporary garden exhibition. It’s also a unique forum for innovation and experimentation bringing together the visual arts, architecture, design, landscape and nature.

A partner at NaganJohnson in London, Nagan has worked at the extremes of scale, creating small gardens in England, Luxembourg and Canada, and large landscapes in Qatar, Barbados, Bahrain, Italy, the United Arab Emirates and the UK. While strong concepts are at the core of her designs, she is also a very practical gardener, growing fruit and vegetables from her front garden in central London.

The garden is sponsored by Le Groupe Germain and presented with the assistance of Landscape Ontario.

The Canada Blooms festival continues until March 20 at the Direct Energy Centre in Toronto. The International Garden Festival is held at Les Jardins de Métis / Redford Gardens in Grand- Métis, Québec from June 25 to October 2.


(Cross-posted from Azure, a Toronto-based magazine of architecture and design)