One of the world’s most visionary architects died last week. She was only 65. Zaha Hadid’s structures are famous for their use of fragmented geometry, swooping gestures and futuristic style. Iraqi-born Hadid, who had a background in mathematics, studied at the Architectural Association in London. In 2004 she won architecture’s highest honor, the Pritzker Prize, becoming the first woman to receive the award (and Muslim, no less). She had a profound effect in our field, and opened so many doors for women in architecture. The world has lost one of its leading form makers.
Hadid drew on Russian Suprematism (think painter Kazimir Malevich) to create her own unique language of drawing, painting and building. Exhibitions of her drawings, paintings, reliefs, and installations have toured the world. Her intricate, abstract drawings were means of visualizing her architectural ideas.
Lebbeus Woods, an artist known for his unconventional architectural designs, and a kindred spirit no doubt, discussed Zaha Hadid’s drawings in his blog here.
Her striking and experimental designs were often dismissed as impractical, and at times even “impossible” to build. Until Hadid completed her first built work, the Vitra Fire Station in Weil am Rhein, Germany, in 1994, she was largely considered to be a paper architect. Since then, however, she has proven that her deconstructivist, largely column-free, designs work as buildings and not just as futuristic, theoretical concepts. Below are some of her projects that have been built around the world.